Peter Schjeldahl, in The New Yorker piece "Dutch Master: The Art Forger who became a national hero", writes about two books on Han van Meegeren, who forged works supposedly by Vermeer, among other Old Masters.
Art forgery is among the least despised of crimes, except by its victims—the identity of those victims being more than exculpatory, for many people. Art is unique among universally esteemed creative fields in its aloofness from a public audience. Its economic base is a club of the wealthy, who share power to impose or repress value with professional and academic élites.[via JessicaRulesTheUniverse]
[...]
The spectre of forgery chills the receptiveness—the will to believe—without which the experience of art cannot occur. Faith in authorship matters.
I'm in Jakarta for an extended weekend. Yes, I owe my departed ancestors a visit and yes, I am on a quest to stay flat broke permanently.
No comments:
Post a Comment